Difference between revisions of "Hollywood"
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{{group | {{group | ||
|wikipedia=https://en.wikipedia.org/wiki/Cinema_of_the_United_States | |wikipedia=https://en.wikipedia.org/wiki/Cinema_of_the_United_States | ||
| + | |constitutes=Entertainment, industry, video, school, VIPaedophile/Venue | ||
|sourcewatch=http://www.sourcewatch.org/index.php/Hollywood | |sourcewatch=http://www.sourcewatch.org/index.php/Hollywood | ||
|wikiquote=http://en.wikiquote.org/wiki/Hollywood | |wikiquote=http://en.wikiquote.org/wiki/Hollywood | ||
| + | |image=Hollywood Sign.jpg | ||
|interests=intellectual property | |interests=intellectual property | ||
| + | |description=The most influential cinema industry of the world is in the [[US]]. It holds some dark secrets regarding [[child]] [[rape]], [[social engineering]] and more. | ||
}} | }} | ||
| + | The cinema of the [[United States]] has had a large effect on the film industry in general since the early [[20th century]]. The dominant style of American cinema is the classical Hollywood cinema, which developed from [[1913]] to [[1969]] and is still typical of most films made there to this day. There is strong overlap with US [[US/Military|military]] and [[United States Intelligence Community|intelligence]] (especially the [[CIA]]) in film making since the second world war.<ref>https://www.wsws.org/en/articles/2020/02/27/nsec-f27.html</ref><ref>[https://www.amazon.com/National-Security-Cinema-Government-Hollywood/dp/1548084980 National Security Cinema: The Shocking New Evidence of Government Control in Hollywood] (2017) by [[Tom Secker]]</ref><ref>https://www.independent.co.uk/voices/hollywood-cia-washington-dc-films-fbi-24-intervening-close-relationship-a7918191.html</ref><ref>https://www.defense.gov/Explore/Inside-DOD/Blog/Article/2062735/how-why-the-dod-works-with-hollywood/</ref><ref>https://www.latimes.com/archives/la-xpm-2011-aug-21-la-ca-military-movies-20110821-story.html</ref><ref>https://www.theatlantic.com/entertainment/archive/2016/07/operation-tinseltown-how-the-cia-manipulates-hollywood/491138/</ref><ref>https://www.valuewalk.com/2014/08/hollywood-funding/</ref><ref>https://www.wsws.org/en/articles/2005/03/holl-m14.html</ref> | ||
| + | |||
| + | ==Paedophilia== | ||
| + | {{YouTubeVideo | ||
| + | |code=nuMmcTkk85I | ||
| + | |align=left | ||
| + | |caption=Hollywood Actors: Sexual Abuse Of Boys Is "Rampant" | ||
| + | }} | ||
| + | {{FA|Hollywood/VIPaedophile}} | ||
| + | 2019 has seen a dramatic increase in awareness of organised paedophilia in general (especially the [[Jeffrey Epstein Affair]]), but also of its role in Hollywood. A Hollwood VIPaedophile whisteblower ([[Isaac Kappy]]) suddenly died in 2019, followed by an [[investigative journalist]] who had been in touch with him and was researching the topic, [[Tracy Twyman]]. | ||
| + | |||
| + | ==Quotes about Hollywood== | ||
{{SMWQ | {{SMWQ | ||
| − | |subjects=Hollywood, | + | |subjects=Hollywood, cinema,Television |
|text=Today, very little of our make-believe is drawn from children's games, storytelling, folktales, and fables, very little from dramas and dreams of our own making. Instead we have the multibillion-dollar industries of Hollywood and television to fill our minds with prefabricated images and themes. | |text=Today, very little of our make-believe is drawn from children's games, storytelling, folktales, and fables, very little from dramas and dreams of our own making. Instead we have the multibillion-dollar industries of Hollywood and television to fill our minds with prefabricated images and themes. | ||
|authors=Michael Parenti | |authors=Michael Parenti | ||
|source_name=Michael Parenti: Make-Believe Media: The Politics of Entertainment (1992), page 1 | |source_name=Michael Parenti: Make-Believe Media: The Politics of Entertainment (1992), page 1 | ||
| + | }} | ||
| + | {{SMWQ | ||
| + | |subjects=Hollywood, cinema,television | ||
| + | |text=The great [[ideology]] of which we are only dimly aware of being subjected to in the West is Hollywoodism, a real complete system of values, models of behavior and thought, of how we should dress and what we should eat, etc. In short, an entire model of reality, to which we in varying degrees end up believing. And it is precisely those who are not aware of the purely faith-based nature of this who in no time at all finds himself a fundamentalist, that is, someone who blindly believes in his own models of reference without at all realizing their relativity. Like it or not, we are all Hollywood fundamentalists - we've watched too much American cinema and television in our lives not to be. Some will be more so than others, but no one escapes. | ||
| + | |authors=Roberto Quaglia | ||
| + | |source_URL=http://roberto.info/it/2017/03/15/il-fondamentalismo-hollywoodista/#more-1422 | ||
}} | }} | ||
| − | + | {{SMWQ | |
| − | = | + | |subjects=Hollywood,cinema,Television,predictive programming |
| − | + | |text=For a hundred years, Hollywood has represented the Western imagination in its cinematographic products, and in doing so it builds it, homogenizes it, sets its standards. But from what moment can we begin to call this activity of structuring our tastes and customs, a real effort at manipulation? That is difficult to establish. However, there is evidence that in recent decades US cinema is increasingly overflowing with clearly intentional elements of mass [[manipulation]], we can identify, recognize and describe them, and these manipulation techniques are the result of extraordinary knowledge of the exact methods for how the masses of people can be conditioned. The framework is therefore of a very polished science of [[sociological engineering]], new things, things that is not taught even in the best [[universities]] - apart from possibly some military universities of which we know little or nothing. | |
| − | + | |authors=Roberto Quaglia | |
| + | |source_URL=http://roberto.info/it/2017/03/15/il-fondamentalismo-hollywoodista/#more-1422 | ||
| + | }} | ||
| + | {{SMWQ | ||
| + | |subjects=Hollywood,cinema,Television,predictive programming,the Matrix, V for Vendetta | ||
| + | |text= The hierarchs of Hollywoodism want to possess and control your mind, as well as that of everyone else, and this possession manifests itself whenever you think in the terms they set. And they already possess your mind, at least partly, even if you believe they don't. Every time you like to quote [[the Matrix]] in your oppositional speeches, or movies like [[V for Vendetta]]... but in this case I have bad news for you, my friend. Even the Matrix, even V for Vendetta were injected into your head by the sorcerers of Hollywoodism, they are allegories that they put into circulation, it is not your own work. And they did it for you. To help you express your dissent better. And by expressing your dissent in the exact terms they have laid out for you, you demonstrate that you are wholly part of their immaterial realm, and by doing so you make it more stable. You don't believe it? Think about it closer. | ||
| + | |authors=Roberto Quaglia | ||
| + | |source_URL=http://roberto.info/it/2017/03/15/il-fondamentalismo-hollywoodista/#more-1422 | ||
| + | }} | ||
{{YouTubeVideo | {{YouTubeVideo | ||
|code=1JpHUaMBARU | |code=1JpHUaMBARU | ||
| − | |align= | + | |align=right |
| + | |width=350px | ||
| + | |caption=An Open Secret Official Trailer | ||
}} | }} | ||
| + | |||
| + | ==External links== | ||
| + | * [[US Air Force]] [https://www.airforcehollywood.af.mil./ Entertainment Liaison Office] | ||
| + | * [[US Marine Corps]] [https://www.hqmc.marines.mil/ousmcc/Units/emlo/ Entertainment Media Liaison Office] | ||
| + | * old [[CIA]] [http://web.archive.org/web/20071113215911/https://www.cia.gov/offices-of-cia/public-affairs/entertainment-industry-liaison/index.html Entertainment Industry Liaison] site | ||
| + | |||
{{SMWDocs}} | {{SMWDocs}} | ||
| − | |||
==References== | ==References== | ||
{{reflist}} | {{reflist}} | ||
| − | |||
Latest revision as of 21:58, 17 April 2024
 Hollywood  (Entertainment, Industry, Video, School, VIPaedophile/Venue)     | |
|---|---|
 | |
| Interests | “intellectual property” |
| Interest of | Aaliyah, Gary DeVore, Disney, Jay Dyer, Robbie Graham, Sam Haskell, R. Kelly, Dan Moldea, Simon Monjack, Brittany Murphy, Tom Secker, Britney Spears, Vigilantcitizen, Warner Brothers, Alan Watt |
| Sponsored by | He Will Not Divide Us, Warner Brothers |
| Subpage | •Hollywood/Predictive programming •Hollywood/Premature death •Hollywood/VIPaedophile |
| The most influential cinema industry of the world is in the US. It holds some dark secrets regarding child rape, social engineering and more. | |
The cinema of the United States has had a large effect on the film industry in general since the early 20th century. The dominant style of American cinema is the classical Hollywood cinema, which developed from 1913 to 1969 and is still typical of most films made there to this day. There is strong overlap with US military and intelligence (especially the CIA) in film making since the second world war.[1][2][3][4][5][6][7][8]
Contents
Paedophilia
| Hollywood Actors: Sexual Abuse Of Boys Is "Rampant" |
- Full article: Hollywood/VIPaedophile
- Full article: Hollywood/VIPaedophile
2019 has seen a dramatic increase in awareness of organised paedophilia in general (especially the Jeffrey Epstein Affair), but also of its role in Hollywood. A Hollwood VIPaedophile whisteblower (Isaac Kappy) suddenly died in 2019, followed by an investigative journalist who had been in touch with him and was researching the topic, Tracy Twyman.
Quotes about Hollywood
“Today, very little of our make-believe is drawn from children's games, storytelling, folktales, and fables, very little from dramas and dreams of our own making. Instead we have the multibillion-dollar industries of Hollywood and television to fill our minds with prefabricated images and themes.”
Michael Parenti [9]
“The great ideology of which we are only dimly aware of being subjected to in the West is Hollywoodism, a real complete system of values, models of behavior and thought, of how we should dress and what we should eat, etc. In short, an entire model of reality, to which we in varying degrees end up believing. And it is precisely those who are not aware of the purely faith-based nature of this who in no time at all finds himself a fundamentalist, that is, someone who blindly believes in his own models of reference without at all realizing their relativity. Like it or not, we are all Hollywood fundamentalists - we've watched too much American cinema and television in our lives not to be. Some will be more so than others, but no one escapes.”
Roberto Quaglia [10]
“For a hundred years, Hollywood has represented the Western imagination in its cinematographic products, and in doing so it builds it, homogenizes it, sets its standards. But from what moment can we begin to call this activity of structuring our tastes and customs, a real effort at manipulation? That is difficult to establish. However, there is evidence that in recent decades US cinema is increasingly overflowing with clearly intentional elements of mass manipulation, we can identify, recognize and describe them, and these manipulation techniques are the result of extraordinary knowledge of the exact methods for how the masses of people can be conditioned. The framework is therefore of a very polished science of sociological engineering, new things, things that is not taught even in the best universities - apart from possibly some military universities of which we know little or nothing.”
Roberto Quaglia [10]
“The hierarchs of Hollywoodism want to possess and control your mind, as well as that of everyone else, and this possession manifests itself whenever you think in the terms they set. And they already possess your mind, at least partly, even if you believe they don't. Every time you like to quote the Matrix in your oppositional speeches, or movies like V for Vendetta... but in this case I have bad news for you, my friend. Even the Matrix, even V for Vendetta were injected into your head by the sorcerers of Hollywoodism, they are allegories that they put into circulation, it is not your own work. And they did it for you. To help you express your dissent better. And by expressing your dissent in the exact terms they have laid out for you, you demonstrate that you are wholly part of their immaterial realm, and by doing so you make it more stable. You don't believe it? Think about it closer.”
Roberto Quaglia [10]
| An Open Secret Official Trailer |
External links
- US Air Force Entertainment Liaison Office
- US Marine Corps Entertainment Media Liaison Office
- old CIA Entertainment Industry Liaison site
Examples
| Page name | Description |
|---|---|
| Brazil (film) | Dystopic movie in which acts of "terrorism" are routinely carried out. |
| Children of Men | All of humanity has been infertile for 20 years in connection with a flu pandemic. The movie never explains how exactly this happened. |
| Conspiracy of Silence | Documentary about the Franklin child prostitution ring. Suddenly pulled from commercially-controlled media, which has never aired it. |
| Control Factor | A film about psychotronic mind control. |
| Disney | Huge mass media corporation. |
| Eyes Wide Shut | Depicts a hidden world where the richest and most powerful people partake in occult sacrificial sexual rituals. |
| Guerre stellari in Iraq | Documentary about advanced weapons systems testing in the 2003 Iraq war |
| In the Name of the Father | 1993 Irish-British-American biographical courtroom drama based on the true life story of the Guildford Four. |
| Lockerbie: What Really Happened | The third in the series of TV documentaries on the Lockerbie bombing by Al Jazeera |
| The Maltese Double Cross - Lockerbie | This 1994 documentary disputes the Lockerbie Official Narrative by advancing the theory that the bomb was introduced at Frankfurt onto feeder flight Pan Am 103A by Khaled Jaafar, an unwitting drugs mule, in what filmmaker Allan Francovich claims was a CIA-protected suitcase. |
| Not Without My Daughter | Propaganda movie made at a low point in US-Iranian relations |
| OCTOBER 7 (documentary) | Setting the record straight on October 7 |
| On Company Business | |
| Operation Gladio (film) | A groundbreaking documentary which did more than any other to publicise the existence of Operation Gladio - NATO-sponsored False flag terrorism in Western Europe. |
| The Case of the Disappearing Diamonds | How De Beers were illegally exploiting billions of pounds-worth of Namibia's diamond gemstones |
| The Hunger Games | |
| The Interview (film) | |
| The Killing$ Of Tony Blair | A crowdfunded film about the war criminal, Tony Blair. |
| The Matrix | "You take the blue pill...the story ends, you wake up in your bed and believe whatever you want to believe. You take the red pill...you stay in Wonderland, and I show you how deep the rabbit hole goes." |
| The Mena Connection | An expose of Mena and Iran-Contra |
| The Parallax View | Reminiscent of the assassinations of the 1960s and the attempt on Ronald Reagan |
| The Power of Nightmares | A some-holds-barred look at how fear has come to dominate politics in America, Britain and around the world — which observes that much of that fear is based on an illusion. |
| The Reagan Method | A groundbreaking documentary which puts a huge amount of Cold War psychological warfare in context |
| They Live | |
| Wag the dog | The film centers on a spin doctor and a Hollywood producer who fabricate an entire war |
| Warner Brothers | Huge mass media corporation; leading part of the Film industry. |
| Welcome to New York | Movie suppressed from mainstream distribution by the influence of billionaire deep state operative Anne Sinclair |
| WitchHunt | |
| Wonder Woman | Superhero movie that came out the same year Hillary Clinton was supposed to become president and invade Syria. |
Related Quotation
| Page | Quote | Author | Date |
|---|---|---|---|
| Hollywood/VIPaedophile | “I can tell you that the number one problem in Hollywood was and is and always will be pedophilia. That’s the biggest problem for children in this industry. It’s the big secret. I was surrounded by [pedophiles] when I was 14 years old. Literally. Didn’t even know it, until I was old enough to realize what they were and what they wanted... They were like vultures... There was a circle of older men that surrounded themselves around these groups of kids. And they all had power or connections to great power in the entertainment industry... There is a lot of good people in this industry, but there is also a lot of really, really sick and corrupt people... They have gotten away with it for so long that they feel they are above the law. And that’s got to change.” | Corey Feldman | 2011 |
Event
| Event | Description |
|---|---|
| Operation Snow White | Religious cult breaks into 100s of international government buildings to remove their own names, is not banned. |
Sponsors
| Event | Description |
|---|---|
| He Will Not Divide Us | Hollywood endorsed "artistic exhibition", set up in opposition to the presidency of Donald Trump. which was trolled. An infamous event in internet history. |
| Warner Brothers | Huge mass media corporation; leading part of the Film industry. |
Related Documents
| Title | Type | Publication date | Author(s) | Description |
|---|---|---|---|---|
| Document:Jews Boast of Owning Hollywood - But Slam Gentiles Who Say the Same Thing | article | 6 July 2014 | Editorial staff | Jewish control of Hollywood, Censorship by Google and the taboo on mentioning it by Gentiles |
| Document:Mind Control Themes and Programming Triggers in Movies | Article | 2006 | Carissa Conti | |
| Document:The Production of Evil | article | 28 August 2015 | Roman Nosikov | A russian Lawyer decodes the real meaning of ISIS |
| Document:To influence/shape entertainment outputs | 'Memorandum' document on how to influence/shape entertainment outputs | 26 December 2018 | Integrity Initiative Victor Madeira | |
| Document:Welcome to the land of "Nothing for free" | article | 20 November 2005 | Jeremy Allison | A prescient article about commercial threats to the internet by a insider critic of the Hollywood entertainment industry |
| File:3-graham-and-alford-ufo-perceptions.pdf | paper | 2011 | Robbie Graham Matthew Alford | A History of Government Management of UFO Perceptions through Film and Television |
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References
- ↑ https://www.wsws.org/en/articles/2020/02/27/nsec-f27.html
- ↑ National Security Cinema: The Shocking New Evidence of Government Control in Hollywood (2017) by Tom Secker
- ↑ https://www.independent.co.uk/voices/hollywood-cia-washington-dc-films-fbi-24-intervening-close-relationship-a7918191.html
- ↑ https://www.defense.gov/Explore/Inside-DOD/Blog/Article/2062735/how-why-the-dod-works-with-hollywood/
- ↑ https://www.latimes.com/archives/la-xpm-2011-aug-21-la-ca-military-movies-20110821-story.html
- ↑ https://www.theatlantic.com/entertainment/archive/2016/07/operation-tinseltown-how-the-cia-manipulates-hollywood/491138/
- ↑ https://www.valuewalk.com/2014/08/hollywood-funding/
- ↑ https://www.wsws.org/en/articles/2005/03/holl-m14.html
- ↑ Michael Parenti: Make-Believe Media: The Politics of Entertainment (1992), page 1
- ↑ a b c http://roberto.info/it/2017/03/15/il-fondamentalismo-hollywoodista/#more-1422
