Document:Sex Plague - The Normalisation of Deviance and Depravity
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Sex Plague - The Normalisation of Deviance and Depravity
Is there a covert campaign to deprave and corrupt the masses?
If so, who are the Architects of Evil behind this psyop? 
A recent pamphlet published by the German government contains these chilling words:
Fathers do not devote enough attention to the clitoris and vagina of their daughters. The child touches all parts of their father’s body, sometimes arousing him. The father should do the same. 
Toddlers are encouraged to indulge in “unlimited masturbation.” Their parents are expected to offer practical demonstrations if need be — the better to produce sexual precocity in their offspring. “Children should learn there is no such thing as shameful parts of the body,” the booklet advises. “The body is a home you should be proud of.”
Children, it is suggested, should be taught the movements of copulation as soon as they reach the age of four, giving them what virtually amounts to a crash course in the Kama Sutra as soon as they have learned to walk.
Depravity, it seems, cannot be taught too early.
In Holland, things have gone further. Here a political party, set up by convicted pedophiles, clamors for the legalization of child pornography and intergenerational sex between children of twelve and adults old enough to be their grandparents. I forgot to mention bestiality. They want to legalize that too. 
Who is to blame for the sex addictions we see suppurating all round us? This licentiousness, growing by the day, thanks to the internet and the mass media, is far deadlier and more destructive than it was half a century ago, before the sexual revolution.
Those who are responsible for this sickening depravity are clearly the people who started the sexual revolution. They are the people, moreover, who control the mass media.
Who controls the media?
Who determines the imagery and attitudes drip-feeding steadily into the minds of the public? Who runs Hollywood? Who contaminates mass consciousness? Who defiles the collective mind? Who pulls the puppet strings of marionette man? Who are the Bad Shepherds leading the sheeple astray?
Who are to blame, in short, for letting the world go to hell in a handcart?
I won’t bother to answer these questions. More to the point, I dare not. If you don’t know who owns the media — lock, stock and barrel — you’re wasting your time reading this article.
Art and Sexual Subversion: The Vaginocentric Female Artist
Let me resume here my discussion of sexual depravity which formed the basis of my recent article Secret Sex Life of the Jews; and let me begin by saying a few words on art, a subject I know something about. And then let me proceed to the subject of pornography and consider its deployment in the systematic demoralization of the masses. 
First, ask yourself this question: is there anything intrinsically admirable or aesthetically pleasing about British painter Tracey Emin’s attention-seeking leg-and-vagina paintings? When other artists offer us self-portraits, they usually show us their faces. Not Ms Emin. Her idea of a “self-portrait” is to show us her uterus. 
Consider only these titles by the outrageously untalented Emin and draw your own conclusions about the decadent crap being rammed down the throat of the public by the Jews who control the art world :
- Everyone I Have Ever Slept With,
- Fucking Down An Ally (sic),
- Asleep Alone With Legs Open (several large-scale canvases of her splayed legs and vagina),
- I’ve Got It All (legs splayed again, clutching banknotes to her crotch),
- Weird Sex,
- CV Cunt Vernacular,
- Is Anal Sex Legal,
- Get Ready For the Fuck Of Your Life.
With titles like these, Tracey Emin could hardly fail. Her rich Jewish patron, advertising mogul Charles Saatchi, knew he was on to a good thing when he decided to promote the career of this pretentious confidence trickster masquerading as an artist. 
As the Gadarene swine hurtle over the cliff top, Tracey Emin and her kind lead the pack on their way down into the bottomless abyss. These are the dupes of organized Jewry. By doing exactly what appeals to art patrons (almost all Jewish; see below), these infinitely corrupt and untalented opportunists know they will become rich and famous.
The sad truth is that so many female “artists” — almost all of them rabid feminists and sexual exhibitionists — have nothing to sell but vaginas. 
Here are ten other vagina-obsessed females, apart from Tracey Emin and the notorious Annie Sprinkle, who use sex — especially a focus on their own vaginas — to sell their “art”:
Karen Finley, Hannah Wilke, Carolee Schneeman, Andrea Fraser, Sarah Lucas, Marlene McCarty, Vanessa Beecroft, Malerie Marder, Katy Grannan, and Kembra Pfahler. 
"I saw the vagina," she gushes, "as a spiralled coil ringed with desire." the vagina..."a spiralled coil ringed with desire."
Being unable to paint properly or produce objects of lasting value, these exhibitionists like to display their vaginas to the world and call it “art”. Here is one such exhibitionist, Jewish performance artist 'Carolee Schneemann , pulling a paper snake out of her vagina:
“I saw the vagina as a translucent chamber,” she says, “of which the serpent was an outward model: enlivened by it’s (sic) passage from the visible to the invisible, a spiralled coil ringed with the shape of desire and generative mysteries.” 
Someone who had no idea what a vagina looked like would have a pretty tough time trying to figure out its appearance from Ms Schneemann’s deathless prose.
Who helps to promote this kind of pretentious claptrap? You don’t need three guesses to answer that question.
In 2001, ARTnews listed the world’s Top Ten Art Collectors. Eight of them were Jews. Ponder these staggering statistics: A people who constitute 0.2% of the world’s population make up 80% of the world’s richest art collectors.
Out of every thousand people in the world, roughly two are Jews. To be precise, one in every 457 people are Jews.  Yet go to a conference at which 1000 of the world’s wealthiest art collectors have gathered and you will find, to your amazement, that 800 of them are Jewish.
Phenomenal, isn’t it?
Some of the vaginocentric exhibitionists mentioned above, like lesbian “performance artist” Annie Sprinkle, maintain websites blocked by porn filters. The aptly named Sprinkle - a nom de porn in honor of urolagnia  - is the lady who douched her vagina onstage in 1991, before lying down and opening her legs so that members of the audience, mostly male, could inspect her cervix with the help of a flashlight and speculum.
Performance artist, prostitute, porn actress, feminist icon, and lesbian diva of depravity, Ms Sprinkle would like us to believe that it is a form of “art” to masturbate onstage with sex toys, her legs wide open, and invite members of a predominantly male audience to peer up her vagina with torchlight and speculum. (See picture)
She was recently invited by academic officials to show her vagina off at the University of Illinois, a hotbed of Zionist propaganda and power; here she was encouraged to give students an “orgasm workshop” — all this ostensibly in pursuit of “higher education”. 
To make matters worse, Sprinkle’s pathetic “look-at-my-pussy” acts were funded by the National Endowment for the Arts, a mini-empire controlled by the hidden hand of organized Jewry. 
If Annie Sprinkle was to acquire fame and fortune by letting dirty old men take a peep between her legs, Hannah Wilke and Karen Finley sought variations in which the vulva was again put to good use.
The Jewish Wilke, being sadly deficient in originality, molded bits of chewing gum into vulvas and stuck them all over her body, calling it “art”. 
Not to be outdone, Karen Finley decided to smear her naked torso with chocolate syrup  and performed public acts — using a yam — which I won’t describe in detail in case nuns are reading this article. Rape, flatulence and menstruation formed the least offensive items in Finley’s repertoire. 
Like Sprinkle, Wilke and Schneemann, Finley is also Jewish, given that her mother is of Jewish ancestry. .
So that’s four Jewish “artists”, all playing with their pussies in front of the world and being paid to do it by a Jewish-controlled government organization called the National Endowment for the Arts.
One begins to discern a subtle pattern here; or maybe it isn’t so subtle.
Performance artist Andrea Fraser  — amazingly, she isn’t Jewish! — deserves first prize for sheer chutzpah. She is perhaps an illustration of the truth that however low a slutty Jewess can sink, a slutty shiksa can sink a bit lower.
This raunchy non-Jewish performance artist, who nevertheless finds it necessary to move in Jewish circles like Madonna and so many other gentile sycophants, arranged to meet a man at the Royalton Hotel in Manhattan, owned by Jewish hotelier Ian Shrager.
Above the bed, an overhead camera played Peeping Tom. The man was persuaded to part with $20,000 in cash for the privilege of helping to create a “work of art” with the frisky Fraser, the said work of art being a pornographic video filming the two participants copulating on a Queen-size bed. This sex video, now available for posterity, is pretentiously called “Untitled”. 
It’s not “art” we’re dealing with here, of course; it’s pornography pure and simple.
The Jewish Affinity for Porn
Jews are famously known to dominate  the world’s $100 billion a year porn industry, roughly 90 percent of which is generated within the United States. As many as 260 new porn sites go online daily, more than 10 sites an hour. 
Since Jews are known to dominate the porn industry and comprise only 2% of America’s population, it is reasonable to suppose that most of the new sites being started up every hour are being started up by Jews.
It is even more alarming to note how sex is now deployed by many American Jews as a weapon against Christianity with its socially cohesive and family-friendly values.
Jewish pornographer Al Goldstein’s infamous words — “The only reason that Jews are in pornography is that we think that Christ sucks” — surely tell us all we need to know about the bitter hatred felt by so many Jews for the Western countries that have harbored them and given them hospitality for so long. 
It can hardly be doubted, as the ugly picture of the Jewish pornographer (above) makes only too clear.
The arrogance and sense of entitlement of so many Jews, whose values Al Goldstein seems to have imbibed with his mother’s milk, never cease to astonish me.
“The difference between a Jewish soul and the soul of non-Jews,” Rabbi Kook assures us, “is greater and deeper than the difference between a human soul and the soul of cattle.” 
Given that Rabbi Kook would be the first to agree that rabbis form the intellectual and spiritual backbone of Jewry, one is tempted to ask what makes a man become a rabbi in the first place. Is it the thirst for God? Is it the wish to save one’s soul and help others along the path to salvation?
Here is Jewish actor Richard Pacheco who couldn’t quite make up his mind whether to become a rabbi or a porn star:
Five years before I got my first part in an adult film … I went to an audition for an X-rated film with my hair down to my ass, a copy of Wilhelm Reich’s Sexual Revolution under my arm and yelling about work, love and sex, which were Reich’s three principles. These things have got to be in balance or your life is going to be fucked. 
Note that Pacheco had signed on to the radical left-Freudian views of Wilhelm Reich — the wackiest and most extreme of the subversive sexual ideologies that emerged from psychoanalysis.
Jewish devotees of psychoanalysis typically saw it, first and foremost, as a blow against Christian sexual mores; hence, as a sneak attack on Christianity itself.
For Jews, psychoanalysis placed Western culture on the couch. It was an assertion of Jewish contempt for Christian culture: the culture of the outgroup now destined for the dustbin of history. 
Pacheco didn’t get the job, but he kept on auditioning, since all he really wanted was to screw gorgeous blonde shiksas — doubtless an atavistic expression of Jewish hatred for the goyim, every act of sex being an act of revenge.
Five years later I auditioned for another X-rated film. That very day, I also interviewed at Hebrew Union Seminary to do rabbinical study. I made the choice that the kind of rabbi I would be, if I became one, was one that could have been performing in sex films as part of his experience. 
Mindboggling, isn’t it?
This dupe of the sexual revolution couldn’t make up his mind whether to sing hymns to God or kiss the devil’s ass!
In the end, it’s the devil who won out.
Pacheco decided to build a career in pornography — with the full blessings, incidentally, of ADL chairman Abe Foxman who said that porn offered American Jews a valid and worthy way “to pursue the American dream.” 
Richard Pacheco (born 1948) was the scion of an orthodox Jewish family from Pittsburg  From an early age, bizarrely, he was attracted to the rabbinate and to pornography in equal proportions.
He had wrestled for years with the decision whether to become a rabbi or a porn actor, praying in the morning for guidance and masturbating in the evening for fun, when it occurred to him one day that he could up his number of orgasms per day if he chucked all the spiritual stuff and concentrated on raw sex.
So he did. And a porn star was born.
Featuring in over 100 X-rated films and winner of countless awards for his sexual prowess in front of the cameras, Pacheco was lucky to receive the loyal support of his wife Ashley.
Managing somehow to juggle a career in porn with a commitment to family life, Pacheco later had sex with with his wife — so we are told in Wikipedia —' '“considerably less often after they had children and AIDS became a threat, but he credits his pornography career for giving him the opportunity to continue sexual encounters for a time without endangering his home life.” 
Here is Pacheco being interviewed after his retirement from porn. If you are a nun or under eighteen, I would advise you to skip the next bit:
As a young husband, I had no idea how to ask my beloved wife to be my “fuck-your-ass whore”.
Yeah, I wanted some of that kind of sex, some very, very selfish lust with a sex kitten. A “fuck-me-fuck-me” woman. There’d be corsets and leathers, high-heeled boots laced up to crotchless panties, breasts spilling out of nippleless bras in lush bordello bedrooms filled up with sex toys. Like blindfolds and vibrators, handcuffs and paddles.
Yeah, and there’d be me with a genuine tarted up won’t-say-no-woman. All the best drugs and oils in the world and plenty of time. And there’d be no “I love you” in any of it!
I would meet this X-rated woman at the hotel where they were holding the auditions…and I would have sex with her right there in the hotel elevator! And then I would go gome to my wife.”
Asked if he still watched adult movies now that he was a Senior Citizen, the former rabbinical student replied: “Not much. Occasionally I’ll toss one on for masturbation if my wife ain’t around.” 
One has to hand it to Pacheco. His neo-Marxist mentor, Wilhelm Reich, would have been proud of him. Because he managed to turn shamelessness into a virtue. Still, it couldn’t have been much fun for his poor wife having a guy like this prowling round the house.
In 1984, Pacheco won the Best Couples Sex Scene (video) with porn star Nina Hartley.  In 1999, he was inducted into the AVN Hall of Fame with feminist porn diva Annie Sprinkle.  In 2000, along with Sprinkle, he was given a Lifetime Achievement Award by the Free Speech Coalition , an organization that had given Nina Hartley an award only a few months earlier. 
Note that these three luminaries of lust — Pacheco, Sprinkle and Hartley — are all Jewish pornographers and that the impressively named “Free Speech Coalition” is in fact a trade association set up in 1991 to safeguard the interests of “adult entertainers” — pornographers who for the most part are Jewish and are based largely in the Jewish enclaves around Hollywood.
So make no mistake: this sleazy industry, built on a foundation of onanistic lust and sexual libertinism, is Jewish through and through.
The “Free Speech Coalition” naturally rejects all claims that pornography is addictive, given that they themselves are directly responsible for nurturing that addiction and making money out of it. It also refuses to consider the possibility that serial killers and rapists could in any way be influenced by inflammatory erotica, though the evidence for this is enough to convince anyone except those engaged in the peddling of the same poisons.
For compelling evidence that pornography plays a significant role in the crimes of serial killers, see my earlier essay on this subject, “Masters of Porn: The Systematic Promotion of Sexual Deviance”. 
In an important court case in 2002, Ashcroft v. Free Speech Coalition, the US Supreme Court decided in the Coalition’s favor, thereby making it easier for pornographers to demoralize Americans, corrupt their children, and promote a general debasement of values — all this in accordance, incidentally, with the Frankfurt School agenda  of producing a “culture of pessimism” designed to foster anarchy and promote impotent anger and despair. 
Our new elite is clearly engaged in the business of mind manipulation and mass demoralization, nor will it rest until it has rebuilt the world in the image of a new Sodom and Gomorrah — a dystopic nightmare.
I have said before in an earlier article, and I will say it again:
A great storm is brewing and only a military coup or revolution can now save America. Save it from what? From the spiritual cancer that is consuming it from within, and from the foreign wars into which it is being lured — Afghanistan, Iraq, and soon perhaps Iran — on behalf of another nation and its indefatigable agents in America.
Unless a miracle soon occurs and some charismatic leader comes to our rescue, an unimaginably bleak future surely awaits us: a future in which the only consolations left to us will be mindless entertainment, drugs, alcohol, sexual intoxication — and suicide.
Depravity appears to have no limits, as those who have surfed the internet have often discovered to their cost. The most appalling sexual addictions now render even children helpless. Many a marriage is blighted and ends in ruins amid these terrifying toxins.
And yet we are only at the beginning. We have many a slime-green step to go before we reach rock bottom. Abyss yawns below bottomless abyss and even to peer into these black moral chasms is to make us giddy with vertigo.
There is indeed no end to man’s depravity or the deadly machinations of the Architects of Evil.
"If a Jew is tempted to do evil, he should go to a city where he is not known and do the evil there.” — The Talmud, Moed Kattan, 171 
- ^ . For an answer to these questions, see also: (1) The Frankfurt School: Conspiracy to Corrupt, by Timothy Matthews.  Masters of Porn: The Systematic Promotion of Sexual Deviance, by Lasha Darkmoon.  Child Pornography in the Classroom (presented by Noor al Haqiqa, Snippits and Snappits).
An academic corespondent writes: “Though one ethnic group, the Jews, is demonstrably to blame more than any other for the sexual demoralization of the masses in Western countries, it would be disingenuous to pretend that they are solely responsible. The primary corruptors could never have succeeded so spectacularly but for the enthusiastic collaboration of degenerates within the corrupted societies.”
- ^ . John-Henry Westen, German Government Publication Promotes Incestuous Pedophilia as Healthy Sex Ed.
- ^ . Ibid.
- ^ . See Lasha Darkmoon,  The Plot Against Art (Parts 1 and 2) and Spitting Mad Jews and Angry Artists (Parts 1 and 2).
- ^ . I have tackled the subject of mass demoralization through pornography — a planned psyop of the New World Order — in greater detail elsewhere, particularly in Masters of Porn: The Systematic Promotion of Sexual Deviance.
- ^ . See Tracey Emin: Self-portraits. Don’t worry, you are unlikely to be shocked by these crude, cave-wall sketches of Ms Emin’s nether regions!
- ^ . Lasha Darkmoon, The Plot Against Art.
- ^ . Tracey Emin, typical titles.
- ^ . The Talmudic Blog: CHARLES SAATCHI, the bad taste art collector and Jew, plans to display painting of the Nazi Himmler.
- ^ . Jerry Salz, Pudenda Agenda, The Shaved Vagina Monologues.
- ^ . Ibid.
- ^ . Carolee Schneemann.
- ^ . The full Schneemann quote describing the vagina may be read here.
- ^ . World Jewish population figures.
- ^ . Lasha Darkmoon, The Plot Against Art, Part 2.
- ^ . Urolagnia: a sexual perversion in which sexual excitement is associated with urine. Its basis lies in sadomasochism and usually involves a woman urinating on a man, his pleasure consisting in the humiliation of being “pissed on” by a domineering woman — as in this 19th century illustration of a woman urinating into a man’s mouth.
- ^ . See University of Illinois invites porn star to teach orgasm.
- ^ . Jeff Jacoby, How the NEA pollutes American culture (The Boston Globe, January 24, 1995).
- ^ . Hanna Wilke, Wikipedia. Here you can see a picture of the bare-breasted Jewess covered with blobs of vulva-shaped chewing gum.
- ^ . Karen Finley, Wikipedia.
- ^ . Echoes and Reverberations: Karen Finley and the Delicate Art of Disgust
- ^ . Karen Finley … “her mother of Jewish ancestry.”
- ^ . Andrea Fraser, Wikipedia.
- ^ . Jerry Saltz, Critiqueus Interruptus. (Broken Angel Artnet Magazine).
- ^ . The locus classicus for the “canard” — no longer a canard today — that Jews control the porn industry is this jaw-breakingly entitled article, “Triple-exthnics“, by Jewish academic Dr Nathan Abrams. This was published in the winter 2004 edition of the prestigious Jewish Quarterly. What the title means is anyone’s guess. Suffice to say that Dr Abrams tactlessly let the cat out of the bag in this article, much to the embarrassment of organized Jewry. As a result, no one can be in doubt any longer as to who controls the world’s porn industry. We now know it is the usual suspects: the Jews. See also Jewish Dominance in the Porn Industry.
- ^ . For the figure $100 billion as being the total revenues per annum from world porn, see Family Safe Media’s “Pornography Statistics.” (The figure mentioned here is $97 billion, but that is a 2006 figure. Since then, the figure has topped the $100 billion mark.) For the other figures cited in the paragraph, see Michael Arrington’s Internet Pornography Stats.
- ^ . Dr E. Michael Jones, Rabbi Dresner’s Dilemma: Torah v. Ethnos
- ^ . Kevin MacDonald, Memories Of Madison—My Life In The New Left.
- ^ . Link lost.
- ^ . Israel Shahak on Jewish Fundamentalism and Militarism
- ^ . Quoted in Dr E. Michael Jones, Rabbi Dresner’s Dilemma: Torah v. Ethnos
- ^ . See Kevin MacDonald, The Culture of Critique, Chapter 4, Jewish Involvement in the Psychoanalytic Movement.
- ^ . Quoted in Dr E. Michael Jones, Rabbi Dresner’s Dilemma: Torah v. Ethnos
- ^ . Jewish Dominance in the Porn Industry.
- ^ . Richard Pacheco, Wikipedia
- ^ . Richard Pacheco . . . “the opportunity to continue sexual encounters for a time without endangering his home life.”
- ^ . Richard Pacheco . . . “and then I would go home to my wife.”
- ^ . Rishard Pacheco . . . “Occasionally I’ll toss one on for masturbation if my wife ain’t around.” (See here)
- ^ . Nina Hartley, Wikipedia
- ^ . Richard Pacheco, Pornography Career (Wiki)
- ^ . Free Speech Coalition (Wiki)
- ^ . Richard Pacheco, Wikipedia
- ^ . Lasha Darkmoon, Masters of Porn: The Systematic Promotion of Sexual Deviance. Scroll down to the section entitled “The link between pornography and sex crime”; for further confirmation, scroll down to the section entitled “The Cases of Ted Bundy and Gary Bishop, Serial Killers” in Dr Victor Kline’s classic academic paper “Pornography’s Effects on Adults and Children. See also Pornography and Sexual Crime and Pornography and sex: Ted Bundy’s fatal addiction.
- ^ . Frankfurt School agenda. This is hugely important subject and there is a vast amount of material available to the internet reader. Those who wish to know more about the philosophical milieu of modernity — i.e., the cultural swamp of sexual bolshevism in which the benighted masses are forced to flounder today — are advised to make a careful study of the following eight core articles:
(1) Arnaud de Lassus’s The Frankfurt School: Cultural Revolution
(2) Kevin MacDonald, The Culture of Critique, Chapter 5
(3) William S. Lind, What is Cultural Marxism?
(4) William S. Lind, Who Stole our Culture?
(5) Timothy Matthews, The Frankfurt School: Conspiracy to Corrupt. (Or my own shorter adaption of this with extended commentary, Satan’s Secret Agents: The Frankfurt School and its Evil Agenda.)
(6) Michael Minnicino, The Frankfurt School and ‘Political Correctness’
(7) Cultural Marxism: (Metapedia).
(8) Sexual Bolshevism: (Metapedia).
- ^ . See Lasha Darkmoon’s The Plot Against Art (Part 1) and Goodbye America (Part 2).
- ^ . Lasha Darkmoon, Secret Sex Life of the Jews.
- ^ . Quoted in Michael A. Hoffman, The Truth about the Talmud